Longest. Title. Ever. - The Thoughts and Happenings of Wilfred Price, Purveyor of Superior Funerals by Wendy Jones

There is a lot to like about this book: it's charming and the opening scene is very engaging. My criticisms of it stem largely from what it *doesn't* do, rather than for things it does wrong.

It feels ungrounded in its setting - we're in 1924 but you'd barely know it, and the Wales we're given could be England. It lacks tension in places: Wilfred and Grace don't speak. When a conversation would solve a character's problems (or move the plot forward) there needs to be a good reason why it doesn't happen - or more of an impact of it not happening.

I felt it left one of the story lines dangling. I'm not a reader who demands everything be tied up neatly, quite the opposite, but this felt rather *too* unresolved maybe because the major confrontation happens offstage.

The first half was better than the second and I read the whole thing quickly, so it's three stars, but only just.

Well, thank God that's over - The Rose Cord by J D Oswald

[The Rose Cord is a direct follow-up to Dreamwalker, so please be aware this review contains spoilers for that book. Also, this is a long book and the beginning was a long time ago and has been wiped from my memory: I appreciate a heads-up on any details I've got wrong]

I reached the end of The Rose Cord earlier than I anticipated due to an extract of the next book being included. I was glad. This is the kind of book which makes me want to shake the author; there is a decent novel in here with some brilliant details and fabulous ideas, but it's been buried in one of the most tedious and repetitive things I've read in ages. You know the second series of Game of Thrones where Rob Stark spent 86 hours looking grumpy in a variety of fields? The Rose Cord is basically that, but without Mike from Casualty.

At the end of Dreamwalker, Benfro, a dragon, watched his mother beheaded by Inquisitor Melyn, head of the warrior priests and all round disliker of things scaly. The Rose Cord picks it up in the next scene: Benfro flees through the woods before returning to the village to find everybody he has ever known slaughtered. On the advice of the memory of his mother, Benfro heads north in search of Corwen, a mage dragon who taught Morgwm, but instead he finds something else: the remains of the great and legendary dragon Magog, and his unreckoned jewel...

Meanwhile, Errol Ramsbottom, Warrior Priest-in-training and (unbeknownst to him) heir to the throne, is trying to learn how to keep Inquisitor Melyn out of his head. As in psychic powers, not trepanning. Melyn, though, has a job Errol is just *perfect* for...

To begin with, The Rose Cord is pretty good despite some minor issues, but unfortunately these are the same issues which will come back to haunt it later: repetition. Rather than having a single scene which achieves all it needs to, Oswald has a habit of having his characters plod through a similar situation multiple times advancing their understanding only a small amount with each.

For instance: Beulah, the young Queen occupying Errol's throne, discovers a plot to kill her, so she deals with it in her own inimitable way: kills her would-be assassin and shouts at everybody for a bit. Naturally, he was not acting alone, so there's another would-be assassin to deal with. And then there's another.

Although each scene is different, and each moves the story forward in it's own vital way, it's a good example (within the first 13%) of how the scenes should be working harder and doing more.

Benfro suffers from this problem the most. In Dreamwalker he was entertaining and tremendously likeable, but with the removal of the villagers he's mostly a dragon wandering through a wood. He occupies the bulk of the book but vast swathes of it involve him being on his own not doing a great deal and it's all the more frustrating because there is gold them thar chapters, it's just not worth the trog to get to. Plus, doing so requires reading about Malkin the squirrel, a character I would happily watch taken out at dawn.

The pacing, too, is wrong. From 70% I was reading believing it would get better - the third in the series is already out in ebook with the paperback happening soon; there is going to be a forth. From 88% I was reading with the glazed determination of somebody who's read that much and is jolly well going to finish just so she can write a fair review of the damn thing. The great dramatic end-scene is crippled by the billion pages of Benfro-is-in-a-cave which precedes it. Throughout, so much space was given to things not happening that when something did, it was ... lost.

Errol has more to do in this book and his is a far stronger story than in the first, but for much of the book - as in Dreamwalker - he is at the mercy of things which happen *to* him, and he's too bland for me to care much. His story is more engaging, but not enough to carry the book.

I liked Dreamwalker a lot - I gave it four stars - but The Rose Cord is weeping for structural edit so hard I do wonder if this is the original self-pubbed text and a new version will get introduced close to its November paperback release date. There are some really great ideas in The Rose Cord, but the last 15% (of this 476 page book) is shear tedium; I won't be continuing with the series: 2 stars.

Gwlad am byth! - Dreamwalker by J D Oswald

[This book was provided to me gratis by the publisher, Penguin, and for that I thank them. I also thank NetGalley, for existing. Without them, I'd have fewer than 80 books in my Kindle's TBR folder. The paperback edition of Dreamwalker is out August 14th 2014, but the ebooks are available now.]

J D Oswald is the evil doppelgänger of crime writer James Oswald, author of the Inspector Tony McClean novels of which I've read the first and don't rule out continuing with. Dreamwalker is the first of his epic fantasy series, The Ballad of Sir Benfro; as with his others, Oswald self-published the series and was picked up by a trade publisher following much solo success.

I'm not a big fantasy reader but I've always suspected that's because I haven't been matched with the right author - I don't care for the po-faced pseudo-mythology of Tolkien, and Game of Thrones' endless chair-wrangling didn't capture me enough to have taken the second one for a whirl yet. Dreamwalker, though, is great.

It opens on a dark and stormy night (yes, I know, it doesn't sound great on paper) with a priest, Father Gideon, hustling an unconscious (and fairly pregnant) princess to a trustworthy healing woman. Who is a dragon. With an egg.

A few pages later and we're one fulfilled prophecy closer to a tale of an Heir Who Doesn't Know It. It's okay though, because while we have that, we mainly have the story of Benfro, occupier of the aforementioned egg.

Initially it's a bit confusing - Benfro is a dragon, he lives with his mother close to a dragon village. He learns to hunt, has a bow, and lives in a house. My logistics circuits struggled. It's only when Benfro meets his first human - in what was one of the best bits of the book for me - that we get any idea of how things work. It's not much of an idea, but once I'd got used to Benfro the character I didn't actually care about being pedantic. Next week, tune in for a wolf eating the sun.

I *loved* Benfro. I don't know why, but I found him tremendously endearing. He's 13 years old (which is *nothing* in dragon years), has magical talents he doesn't understand, and is constantly frustrated that his desire to learn is tempered by his mother's (and the other dragon's) caution. Unlike most books with child-age heroes - for instance, Harry Potter - there's no pantomime emotion from the supporting cast.

The narrative also follows Errol, that human heir who doesn't know it, growing up in a small and rural town thinking himself the son of the village healer. He was only intermittently interesting to me as a character, and I didn't care for his friend Martha, the Girl Who Knows More Than You Do And Calls You By Both Names, Jon Snow. However, what happens *to* Errol *is* interesting thanks to the third storyline, that of Inquisitor Melyn and the heir to the throne Errol doesn't know he's entitled to, Princess Beulah

In Gwlad, men have hunted dragons to the point of extinction. Inquisitor Melyn is the head of the High Frydd, an order of warrior priests whose task it once was to complete this mission. Once Beulah reaches the age of majority, she'll stop keeping her father alive and under her authority, the task can be completed. Melyn and Beulah's story is a mix of intrigue and power games, of magic and gods and a hefty dislike of dragons. I *liked* it.

Something else I like is the Welsh flavour. As Tolkien drew on Norse mythology for his world building, Oswald uses Wales - from using place names for his dragon characters (Sir Benfro is the proper name for Pembroke, Ynys Mon is Anglesey, etc) to appropriating legends like those of Gog and Magog. There are lots of things to spot, and it's slyly clever, nudging you in the ribs to see if you get it.

However, Dreamwalker suffers one great weakness: it's not really a book. It's the first 400-odd pages of a book. There's no particular story for any of the characters - they're all just doing their thing to a greater or lesser degree of interesting until the narrative reaches an excellent point for a cliffhanger. Although Books Two and Three in the series are already available (and, like the first, are in the Amazon UK Kindle Summer Sale until September 1st) and I have seen mention of Book Four as being written, it would be tremendously damaging to Dreamwalker if they weren't. Don't let it put you off, but go into it prepared to get the next one immediately.

For me, Dreamwalker worked. Great characters, great world-building, great details in that world building, and some lovely touches of humour. I'm already 20% into the second and will very likely be buying the third before the Kindle sale is over. I'm quite tempted to knock half a star off for that cliffhanger, but I'm also Welsh so am hopelessly biased: 4 stars.